I’m pleased to announce a new electronic album, The Ministry of Machine Building.
Starting points for musical projects often come in the most unexpected places.
Back in 2019, I watched HBO’s excellent – if harrowing – miniseries, Chernobyl. Arguably one of the most gripping and unsettling depictions of any real-life event I’ve seen, as well as being interesting, technically and politically. I still remember the Chernobyl disaster happening – in April 1986, I was eight years old, and recall how it dominated the news. My young mind couldn’t quite comprehend the reality of what was going on in that other part of the world (I’d witnessed enough tragedy already that year with the Challenger explosion in January), but I knew it wasn’t good. I was hearing certain words for the first time, such as “Reactor” and “Radiation”… and when you learn words that way, they stick forever.
I was so compelled by the dramatisation, I immediately bought Serhii Plokhy’s detailed book on the subject, Chernobyl: History of a Tragedy for some long overdue education on the matter. An absolutely fascinating read, but it was in Plokhy’s book that I first saw reference to The Ministry of General Machine Building – an impressive title if ever there was one! The ministry was a Soviet government organisation based in Moscow and was responsible for overseeing all aspects of USSR space exploration. Another ministry, the Ministry of Medium Machine Building, was country’s secretive bureaucracy which supervised the Soviet nuclear industry, hence the link to Chernobyl.
Sometimes the words or phrases on the page of a book will stand out, and I’ll repurpose them into a song title, but on reading about the two ministries, I knew there and then this had to be an album title! Of course, making an album about a nuclear disaster would be neither cheerful or tasteful, but a slight shortening of the title gave way to a whole new creative scope and allowed me to reposition the Ministry into a science fiction context. Thinking back to the scenes in Fritz Lang’s Metropolis, I was soon imagining a dystopian factory-city in a state of perpetual nightshade; shift workers clocking on and off as they collectively work toward the creation of huge machines and sentient creations they did not understand. This needed to be like the soundtrack for a science fiction film yet to be made, and carry a story through the tracks.
So this was the spark that led to the composition of The Ministry of Machine Building over the past couple of years. The title track was one of the first pieces I worked on, but it laid dormant for many months before being resurrected, once I found a suitable direction for the album. While generally dark and moody, I wanted there to be a balance of heavy, layered industrial electronica, evoking assembly lines and thundrous mechanical processes, alongside some lighter contrasting pieces, almost like a brief moment of repose from the immense factory world.
When called upon to write some sleeve notes for the album, Richard Hayes has delivered a fantastic piece of writing – not sleeve notes in the traditional sense, but almost a short story; or an excerpt from a diary, leaving the reader curious for more…
I was not free. I knew that well. Building the machines that dominate our world was the focus of my life, and there could be no escape from that role. The machines of the modern age would bring coercion to our society, which was no less a constraint for those who constructed them.
The Ministry of Machine Building will be released on Bandcamp on 2nd July 2021. Previews to follow!