The science fiction gallery page has been updated with the addition of two brand new pieces of artwork, Simulacrum and Into Battle.
These two pieces plus many others will be part of my display in the art show at next month’s Novacon – the UK’s longest-running science fiction convention. This year’s Guest of Honour is writer Mike Carey, perhaps best known for The Girl With All the Gifts. If you’re going, do drop by the art room and say hello!
Finally, here are two promotional videos for Mutate:
One of the biggest revelations for me over the last decade, was discovering that I can create the kind of music I have always wanted to make, from the comfort of a home studio. “Studio” feels like a bit of a grand term, given that everything is contained within my Apple Mac (then again, I do work in my home studio where I also do illustration/artwork). But to be in an age where we can have access to such wonderful production tools and the ability to self-publish work online, is simply fantastic.
There are obvious pros and cons to this kind of setup – whatever you are publishing. Making music is a very personal process. I make the kind of music I like, with the hope that likeminded folk out there might enjoy it too. But there does come a point when you’ve heard your own work too much, and the obvious things no longer stand out. That’s usually when I’ll ask a couple of people for feedback. For me, the mixing and tweaking process is usually a more time consuming process than composing the initial tracks.
However, the final challenge is knowing when to step back; to declare it complete. This thing you’ve slaved and toiled over for months – is it ready? Really? I find that point often comes instinctively, and it is then that you have to stop fiddling with it. Too much fiddling, and you risk overworking it (I’ve been there many times!). Even so, there is always a moment of doubt and there will usually be things you want to amend or revisit later – and sometimes I do. But it is always a slightly unsettling moment, prior to hitting that “publish” button.
And that is what is going to happen this week.
Since January, I have been working on Mutate – an 8 track album of dark electronic instrumentals.
Mutate will be available from Friday 20th September via my pages on Bandcamp and Musicglue.
More details will follow… meanwhile, here in full is the opening track, Underground.
I have added a new page to the ‘Special Projects’ section of the site – my essay on the influence of space travel in music and popular culture – Musica Universalis.
This piece looks at the evolution of electronic music in tandem with the golden era of space travel as well as those eternal musical associations, such as David Bowie’s Space Oddity and the Apollo 11 moon landing.
I wrote lengthy sections on David Bowie, Jean-Michel Jarre and Mike Oldfield, exploring their association with space and how their music is still today, used in conjunction with space travel projects. I also looked at film and television series music in science fiction, and how it’s all connected… If that sounds like your kind of thing, read on!
Today I received copies of the hardback and paperback versions of L.Z. Dàin’s novel, The Call of the Aïdin Planet – book one of The Legacy Saga – to which I had the pleasure of illustrating and designing the cover.
I’m delighted with just how good they look in print, and as always, it is a genuine pleasure to see an author’s dream become a reality. To find out more, visit: https://www.theaidinhorizon.net
I’m delighted to reveal my cover art for The Call of the Aïdin Planet, by L.Z.Dàin – book one of The Legacy Saga from Seattle-based publisher, Tales of the Horizon.
“Nine-hundred thousand years ago, seven Galactic Humans discover a mysterious Time singularity on planet Earth. But, obscure powers beyond the many worlds of the Galactic Union will not stop until they control it. Thus, the seven must make a choice, a choice that will not only affect their evolutionary future but the destiny of Earth itself.”
As much as I love the opportunity to come up with initial ideas for a cover, I really like it when the author or publisher have a clear vision of what they’d like on the cover. It is their book after all! Sometimes this process can be flexible, depending on what ideas I may have or that I feel could add impact, and on other occasions, simply my own interpretation of the initial brief does the job. It is important to me that the finished work is typical of my style and approach to a distinctive cover but more importantly, what I come up with has to match their vision – and good collaboration and communication is key to that. The cover for this book is a fine example of a project perfectly coming together, despite us being on opposite sides of the globe!
Even when there’s a clear brief, I’ll always work up a quick black & white sketch, to make sure the composition and my interpretation are correct.
Finally, I took the various elements of the illustration and created an animated reveal for the cover art:
The Call of the Aïdin Planet is available in paperback and ebook via Amazon. Further details about Tales of the Horizon can be found on their website.
I have spent a large part of the last six months working on my new instrumental album, Mutate. Now it is time to present some brief previews of the first four tracks.
For those of us whose lives are soundtracked by music, we remember moments of discovery and musical revelation and all other manner of minute details, which are somehow important to us – especially those songs or albums that made a certain impact at the time never fail to evoke certain feelings.
It was with this in mind, that I approached Mutate. I returned to my musical ‘roots’ in a sense, listening again to many albums that had a profound affect on me, and the kind of albums that originally made me want to make music.
However, my own music needed to go somewhere different, so I set myself a specific creative parameter for the new project, which was to – wherever possible – only use sounds that I haven’t previously used. This meant getting rid of old favourites and ‘comfort zone’ instruments that I might normally use for my early demos ideas. This would make me think or work in a new way to achieve the very specific sound, style and atmosphere in mind. I usually have a number of potential titles to work backwards from, but this time, the final upheaval of my normal working process starting work without titles, and seeing where the music went.
Album preview #2 will follow soon, along with cover art and release info… stay tuned here or follow me on Twitter or Facebook.