Here is my illustration and design for Empire’s Child, the début science fiction novel by Nick Lewis.
Nick’s work has previously featured in the two Visionary anthologies published by the British Interplanetary Society, to which I also provided the cover art.
The ebook and paperback editions of Empire’s Child is now available for pre-order on Amazon.
Humanity is old. Long, long ago It re-engineered the Galaxy for its own convenience. Empires have risen, empires have fallen. Technologies close to magic have come and gone.
But the need for cabbages remains. Threnador is one of the poor agricultural worlds supplying food to the richer worlds of the Confraternity, until, one day, Time stops on Threnador. All trade with the Galaxy ceases.
A young woman, Mihana, tries to find out why. Befriending an intelligent, shape-shifting craft, she flies it across her world and beyond. Ride with her and uncover the truth behind a three-thousand-year-old chase whose consequences have shaped her life, and which has treated Threnador as collateral damage.
New cover art! Station Down is the forthcoming science fiction novel from Alice Sabo. I’ve worked with Alice long enough now to bypass the concept sketch stage of work and just dive into the final artwork. We always enjoy a fruitful author/artist relationship, which is one of the keys to success of getting the cover art you want on the front of your book.
Here is a piece of artwork which until now, has never been displayed online. I’ve titled it “Longing” but it was in fact a book cover commission from 2015. I’m hopeful that the book it was intended to grace will eventually see the light of day, but I’ve always been particularly pleased with this piece as it is one that really epitomises my style and approach.
My latest cover illustration is for Terry Grimwood’s forthcoming SF novel Interference, which is will be published by Elsewhen Press. For this cover, Terry wanted to depict an alien world with a red, burning sun. The scene is within a city, which is made up of tall, curved featureless buildings.
I recently completed the cover art for Alice Sabo’s new book, Circuit Breaker. It’s the second title in her Children of a Changed World series, and follows the map-based design established with the first book, Willow’s Run.
The main different with this cover was I decided to draw the original map element in ink, rather than digitally.
My free digital publication chronicling the creation of Alice Sabo’s cover art has been updated.
The newly revised edition of The Art of A Changed World, and now includes the artwork for Alice’s recent books, Shattered Landing, Willow’s Run and Entangled, alongside the creative process behind each cover.
Click the cover image below to download The Art of A Changed World (revised edition) in PDF format.
Gardens of Earth by Mark Iles is the first book of The Sundering Chronicles, coming soon from Elsewhen Press.
Elsewhen contacted me to illustrate the cover, as they knew it would be a good match for my style, having worked together on several previous occasions. Gardens of Earth literally spans several genres – the story tackles alien war, a future that may be considered either dystopian or utopian, a protagonist dealing with personal demons, the remnants of Earth’s inhabitants now living in a sparse society under the watchful eye of the strange plant-like Spooks, and returning human colonists intent on reclaiming the Earth.
While you might primarily consider Gardens of Earth to be a science fiction novel, elements of myth and magic fantasy are also present. So how do you represent all this in a single cover image?
You don’t even try! A cluttered book cover with too many elements fighting for attention never looks good. We knew this of course, so the challenge for this cover was to come up with an image that would set an overall tone for the book and draw the reader in via a single snapshot.
An email conversation between myself, Mark and Elsewhen resulted in a couple of concepts being discussed. The first was the view of a greener Earth with some of the Spooks closing in. We also looked at the idea of our protagonist and female humanoid companion staring out over a vista of forestry and simple human settlements, again with the Spooks looming on the horizon.
I worked up rough sketches for both, and we agreed the version showing the two figures was the right approach – however Mark wanted to see a city backdrop rather than forestry. Cityscapes have long been a recurring theme in my artwork, so it was a concept I was immediately comfortable with.
Mark had also gone over some specific, minor details – such as the insigia we see on the female’s left shoulder or the pilot’s commando knife at thigh level. Their coveralls were also to be dark green, which for me, set the colour palette for the overall scene. I wanted some atmospheric, hazy light that could be either sunset or sunrise, and chose a palette of turquoise through to yellow – the green tones in between also linked back to the greener world featured in parts of the story.
The team at Elsewhen had already chosen a typeface for the series, so we worked together to agree on the most effective layout. I suggested having the title in a dark blue to contrast the illustration but also match the darkest colours present – this little touch glued it all together. My original illustration extended beyond the cover format, so we were able to extend it around the spine and on to the back of the book.
Gardens of Earth is available to pre-order as an eBook on 6th August, and will be out in paperback in October. Keep an eye on the Elsewhen Press website or social media pages for further details!
The Best of British Science Fiction 2020 anthology from NewCon Press, edited by Donna Scott, is due for release on 27th July and can be pre-ordered from the NewCon Press website, in paperback and limited edition signed hardback formats.
I am delighted to see my digital painting Daybreak featured as the cover to this collection, which genuinely contains an illustrious selection of science fiction writers.
Daybreak is one of my personal favourite pieces, so it is particularly rewarding to have it used on this anthology.
I often create artwork with the possibility of cover licensing in mind, but this didn’t happen to be one of them – it’s a landscape piece for a start. But when Ian Whates at NewCon Press sent over the proofs of the cover, I was pleasantly surprised at how well Daybreak lent itself to cover art – particularly on the hardback format, where the solid dark blue perfectly wraps itself around the dust jacket. I couldn’t wish for it to have a better home.
My piece, Into Battle graces the cover of issue 24 of Shoreline of Infinity Magazine – Edinburgh’s finest science fiction publication. I had the pleasure of illustrating an interior piece in their first issue some six years ago, so it’s great to be back!
To get your copy or find out more, visit the Shoreline of Infinitywebsite.
Another cover reveal in the same week – this time a brand new piece for Entangled, the latest instalment of Alice Sabo’s “Transmutation” space opera series.
You can keep up with Alice’s work over on her Facebook page.