“Mutate”

My next album project is nearing completion, and will be called Mutate.

Mutate will be released in digital format via Bandcamp, hopefully with a limited CD edition following later in the year.

Watch this space for further details, but meanwhile, here is a brief taster.

New album – first teaser!

I have been working on a new album pretty solidly over the last couple of months, and it is now starting to take shape.

For this new project, I wanted a darker, grittier sound, and I decided to avoid using any previously used sounds, where possible in order to create a fresh sonic landscape.

Here is a brief taster of three current works in progress. Stay tuned for further updates!

Shoreline of Infinity’s Soundwave Podcast – Episode Two

Edinburgh-based science fiction magazine Shoreline of Infinity‘s recently launched podcast, Soundwave (to which I lent my music!).

Last summer I recorded an extensive interview with the Soundwave host RJ Bayley, discussing all aspects of my work and interest in science fiction and beyond. A genuinely great fun hour of conversation! We conducted the interview via Skype, which accounts for my echoey room… but echoes aside, we discussed so many things, including synaesthesia, artistic influences and creative processes.

But it’s not all about me – you’ll also hear narrative from other Shoreline contributors. Episode two is available to stream and download now.

https://shorelineofinfinity.podbean.com

Introducing “Soundwave” – the new science fiction podcast

I’m really happy to have been involved in Soundwave, an exciting new science fiction podcast from Edinburgh-based publication, Shoreline of Infinity.

The Shoreline of Infinity magazine has gone from strength to strength, recently winning the British Fantasy Society Award for best magazine/periodical, and the next step in this creative and collaborative journey – which champions new and existing writers, artists and more – is the launch of this podcast.

I have been interviewed for a future edition of Soundwave, but my initial involvement was the production of the intro and background music.

Episode Zero of Shoreline of Infinity’s Soundwave can be heard here.

Cover art for Alice Sabo’s “Desperate Measures”

Here is the front cover artwork for Desperate Measures – book five of Alice Sabo’s Changed World Series.

This cover was an enjoyable challenge. Alice had a rough idea of the kind of thing she wanted, but wasn’t sure how or even if it would work as a book cover, so that’s when it fell to me to come up with an atmospheric and thought provoking image, that would also sit comfortably alongside the other books in the series.

With most of Alice’s previous covers, I have always worked up one or two rough sketches beforehand, whereas with this one, I launched straight into the actual artwork.

Desperate Measures is out now – check out Alice’s blog for further information.

Desperate_Measures_WEB

Out now – No Space for Justice

Following the previous post on my cover art for William N. Gilmore’s science fiction/crime novel No Space for Justice, as promised, here is the full front and back illustration for the paperback edition, which is available now via Amazon.

No Space For Justice cover spread

And here is a photo of the finished book itself, which landed this week – William kindly sent all the way from Atlanta! Now that’s a well-traveled book.

The moment you see your pixels come to life in print never fails to be rewarding.

No Space for Justice Paperback

Cover reveal – Pillar of Frozen Light

Barry Rosenberg’s science fiction epic Pillar of Frozen Light is due to be unveiled this weekend at Novecon (the UK’s longest-established science fiction convention), by publisher Guardbridge Books.

The story has been described as character-driven journey from self-indulgence to enlightenment, and follows Jonan, a man driven by his desire for a remarkable woman, pursued by a shadowy menace, and intrigued by mysterious pillars found on distant worlds that hint at a knowledge way beyond human understanding…

The brief for this project was to convey that traversal of space and alien vistas alongside the story of desire, and the strange, ominous pillars of light that form the core of the story.

Pillar-of-Frozen-Light-web

My cover art for Pillar of Frozen Light will also feature in the Novacon art show.

For more information about Guardbridge Books, visit: guardbridgebooks.co.uk

Finally, here is an animated cover reveal video!

Cover Reveal: No Space for Justice

I have just completed the cover art for No Space for Justice, by William N. Gilmore – and here it is.

The story sees Earth’s best homicide detective shipped off to a strange alien world with no police, courts or crime, to solve an 800-year-old murder, and it was crucial to get a feel for this in the cover art.

Stay tuned for more details about the book’s release this coming December, plus a look at the back cover illustration…

No_Space_For_Justice

Music for Time Travel!

It is getting to that time of year where we start to notice subtle signs of the change of seasons ahead, and a reminder of how quickly time passes. The passage of time, and indeed the concept of time travel is a regular theme in my music.

I’m pleased to offer 25% off each of the following albums using the discount codes shown:

Crossover (code: august1)
Back Into the Light (code: august2)
Timeshift (code: august3)

Codes redeemed at http://thelightdreams.bandcamp.com and are valid until midnight on 31st August.

Whether you’ve previously bought one album or several, I really appreciate your support. Thank you!

thelightdreams25

Jean-Michel Jarre

There is something life-affirming about the music of Jean-Michel Jarre – the French artist who took electronic music to another level and to a worldwide audience. Jarre injected emotion into his music which touches on the nuances of daily life and the environment around us. Rather than something cold and soulless, there is a warmth and richness to Jarre’s music which has transcended language barriers and reached fans of all nationalities around the globe.

Jean-Michel Jarre has created some of the most iconic and influential music of his generation. This week, Jarre turned 70, (a milestone also celebrated by upcoming box set release, Planet Jarre: 50 Years of Music), which got me thinking about my own journey with his music and its impact and influence on me and my work; both art and music.

We all remember the first time we heard certain songs or pieces of music, and those musical memories from our childhood often remain the most profound, usually defining our tastes for years to come.

I first heard Jean-Michel Jarre’s 1976 breakthrough album Oxygene, as a child in the early 1980s. I was perhaps four or five years old, and I had never heard music like it before. It was the record that my father was playing. To my young ears, I couldn’t quite comprehend what I was hearing – this wasn’t the sound of normal instruments; it was something altogether different and other-worldly. I remember being utterly entranced by the strange, almost organic sounding music… it was as if some kind of captured environment was emitting from the stereo.

With this sensory feast, my young artistic imagination was fired up – the soundscapes and atmospheres of Oxygene transported me into the sky, floating among the clouds; it sent me to a vast snowy expanse with a glaring winter sun, and most significantly, it propelled me out into space, beyond the stars.

At the time, I was surrounded with books of space imagery and science fiction art of the 1970s, and even a young age, I was addicted to Doctor Who. Jarre’s music was the perfect accompaniment to these fascinating futuristic visions, and with that, my lifelong obsession with science fiction and electronic music was born.

I rediscovered my love of science fiction art in 2007, and that led to creating my own artwork (as you can see on this website). And more often than not, I listen to Jarre’s music while I’m working.

However, the biggest impact Jean-Michel’s music had on me, was in making my own electronic music. The decades of enjoying Jarre’s music culminated in me trying my own hand at creating my own instrumental soundscapes – an ongoing journey that I’m still exploring.

I have always been fascinated with the notion of letting music create images in the mind and allowing the imagination to explore new environments through music. With no lyrics to distract or send the listener down a specific path, instrumental music works as a blank canvas for the imagination – and I think we all need that escape. This remains one of the main appealing aspects of Jean-Michel Jarre’s work as well as the objective of my own.

Over the course of the last couple of years with the release of the two Electronica albums and Oxygene 3, Jarre has proven his staying power and influence on artists and fans of all generations. Not one to rest on his laurels, Jarre’s passion for creating, composing and collaborating is as strong as ever, and I certainly can’t wait to hear what the next chapter of his musical journey will bring.

Happy Birthday, Jean-Michel!

Jean-Michel Jarre photographed at Manchester Arena, 9th October, 2010