Following the success of Blackpool Remembered and Blackpool Revisited, I felt the need to keep writing and reminiscing about life in Doctor Who fandom. I wanted to expand on some of the things covered in my 2010 publication, Who, Where & When as well as opening up my personal photo archive from various Doctor Who events and conventions over the past couple of decades alongside other musings and a recent visit to Neil Cole’s Museum of Classic Sci-Fi.
Check back this time next week to wallow in a feast of nostalgia!
Following my involvement with Blackpool Remembered and Blackpool Revisited, I have given my 2011 Doctor Who ebook, Who, Where & When a short, personal account of growing up with the show in the 1980s and beyond.
I’ve given the front cover an overhaul with some recent illustrations and the existing articles have undergone some minor edits where needed. However bringing the book up to date, are four new pages at the end, which I hope you enjoy.
I spent a large part of my childhood drawing Doctor Who. Any other fans out there will understand how an obsession over something like this can grip you, especially at a young age – and to have some drawing ability meant that I could visualise my own worlds and adventures (usually at the expense of homework!). But, my comics would often remain half finished (or half started) or they would just be another excise to draw the Daleks.
My obsession with the Daleks was probably equal to my obsession with the show – and still is. I loved drawing them (though they were, are, and will always be challenging things to draw!). But, until this year, I hadn’t drawn any Daleks for many years, and it was literally over twenty years since I had last done any kind of Doctor Who illustration whatsoever, especially as in the last decade, my science fiction work and cover art has been at the fore.
Earlier this year when I became involved in both Blackpool Remembered and Terraqueos Distributors’ Unofficial 1989 Dr Who Annual, I found myself returning to line-art and really enjoying it. In the past I would always prefer to work with ink on paper for line-art, but once scanned in, the results never looked as good, so I decided to work entirely digitally, which isn’t without its challenges on a graphics tablet.
The pieces for Blackpool Remembered were obviously heavily inspired by the original Blackpool exhibition; the lighting and colours in particular. But I also wanted to pay a subtle homage to the vintage annuals of the 1970s – the 1975 Daleks Omnibus in particular, at the same time as putting my own stamp on the pieces. Even though both book projects were complete, I felt that old urge to do some more, so set about doing more Daleks, Davros (based on Terry Molloy’s take on the character in the 1980s) and another old favourite of mine, the Sontarans.
Taking stock of this recent output, I realised that this collection of pieces – depicting some of the Doctor’s most famous alien adversaries as well as good old K9 – deserved to be more than digital files sitting on my hard drive or in social media feeds. They simply needed to be something to have and hold, and this led to the production of a limited edition sets of prints.
I’m really proud of this set – not only because of the project that spawned them, but rediscovering both my passion for illustrating Doctor Who and establishing a particular style was very rewarding, but also because it feels like a culmination of so many years of fandom and the simple joy putting pen to paper (or pixel).
My latest illustration commission was something a little different – a new banner for The Space Museum; a website documenting classic Doctor Who merchandise. Curator Christopher Hill wanted to depict an image of a young fan in the 1960s, featuring some of the toys of the day such as the Marx Daleks – and also a present-day, adult version of the same person, now with an expansive collection. Any Doctor Who collectors will surely resonate with this – and it was a great fun project to work on!