Aspects – release round-up

Aspects has been out in the world for just over two weeks now, and it has been streamed, downloaded and playlisted. As an independent musician working outside of the usual spheres, it is always so gratifying and rewarding to know that somebody in another part of the world has taken a moment to listen to my work.

Aspects was composed during 2020–2021; strange years for all of us. 2021 began with the tightening of pandemic restrictions, slowly followed by the (short-lived) hope that we would be returning to some kind of normality. A somewhat premature optimism, given the unprecedented circumstances. I had been working on new music at various points, for different projects – my vocal collaborations with Ren Faye, other potential collaborations and several tracks just for the simple love of making music.

I’ve often felt the best material often creates itself. Those moments when an idea for a piece of music seems to fall from the sky and comes seamlessly together, are the most satisfying – not because it doesn’t mean hours of toil, but because it is a fine example of creativity in action. It’s almost like some kind of magic. My normal process for recording an album is to begin with a title and concept, and work backwards from there. The process for Aspects was the complete opposite. Towards the end of last summer, I reviewed the music I had made over the course of the past year and discovered they all fitted perfectly together. I realised I had a solid album in the making.

As I worked on the tracks, I found various consistencies between them; common themes, moods and atmospheres. I had the music in mind when I took the cover photograph, on the west coast of Scotland in September 2021. I knew as I framed the shot, it was going to be the cover art.

Aspects is an album I am very proud of, both musically and from a production perspective, which is always the most taxing part of the process. It is an album for reflection and meditation; to allow one to travel in the mind and temporary escape the worries and uncertainties of the world around us. I had already set a release date when the dreadful, devastating situation in Ukraine unfolded. Although it felt insensitive to be releasing and promoting this project when a country is being destroyed – homes, families and livelihoods wrecked – but releasing the work or not wasn’t going to change what is going on. If anything, I might hope that anybody listening to the album enjoys a moment of escape and distraction.

Aspects is available to download via Bandcamp, and also comes with a digital booklet. You will also find it on Spotify, Apple Music, Amazon, Deezer and Tidal for streaming.

Below are videos for Aspects and Breaking Surface

ASPECTS – OUT TODAY!

My new album Aspects is released today as a digital download on Bandcamp and across popular streaming platforms.

Aspects was composed and recorded between December 2020 and February 2022. I wanted to return to my roots a little, with longer, flowing instrumental pieces with shades of dark and light. Aspects has a reflective and contemplative mood, but an overall tone of optimism. Music has the power to keep certain memories alive and fondly remembered times and places in check. Either as a listener or creator, music allows us to travel to many different junctures, and during troubles and worrying times like the present, that escape is vital. Why not take some time out for a journey…

https://linktr.ee/thelightdreams

Aspects – album teaser

My new album Aspects will be released on Bandcamp and streaming platforms on 25th February 2022.

Here’s a short teaser…

As the title suggests, the music explores various perspectives and viewpoints of life. We’ve all had cause to reflect or contemplate during the pandemic and as ever, when I’m not working on art, I channel my thoughts into music. As a self-taught musician, every album project is a learning curve, and along the way, new discoveries are made and processes learnt, as I become absorbed in the creation of an album. Aspects was composed over the course of the past 18 months and the result is a suite of tracks I’m really proud of.

The Light Dreams – Aspects

I will soon be releasing a new instrumental album entitled Aspects – which I composed over the course of the past couple of years. The first track I’m previewing from the album is called Breaking Surface.

Aspects will be released digitally via Bandcamp and available on popular streaming platforms very soon – stay tuned for updates.

The Ministry of Machine Building – out now

This suite of conceptual instrumentals plays out like; the dark soundtrack to a science fiction film yet to be made… enter The Ministry…


Out now on Bandcamp, and on streaming services soon!

https://thelightdreams.bandcamp.com/album/the-ministry-of-machine-building

Works in progress

The last few months have been focused on music, including some collaborations. More on those later, but first off, here is a short taster of some of the new tracks I’ve been working on.

More previews and the album title will be revealed soon, but it will be a science fiction-themed concept album.

In December, I was asked to compose a signature tune for this year’s Eastercon (ConFusion), which due to the pandemic was held online in April. Here is my full theme (edits were used for the various online presentation elements). I wanted to create something with a strong science fiction atmosphere, but which also conveys the busy frenzy of the convention environment.

Synthesis – The Light Dreams Anthology

We are living through a strange time, and none of us know for how much longer this uncertainty will continue. Music has been a constant companion for many during this period. Whether discovering new music, listening to or creating music, our personal soundtracks provide an escape, which in the current climate is more valuable than ever.

It is eight years since I first tested the water with the idea of selling my music online. Bandcamp offered the most flexible and economic solution for an independent, unsigned artist. Since 2012, I have released 22 albums through Bandcamp, including five albums in association with the Initiative for Interstellar Studies, a compilation of early demos and the release of my first two fully-fledged albums, dating back to 2007 and 2009 respectively.

Having released Chiaroscuro – my most accomplished album to date – earlier this year (right at the start of the lockdown period, by coincidence), it felt like the right time to take a look back over my discography.

Synthesis: The Light Dreams Anthology is a new compilation comprising some of my best work and most popular tracks alongside overlooked pieces and those which epitomise my sound and style. 

Compiling a selection of your own work is never easy, especially when it comes to instrumental music – I design every album to flow; each has a specific sound palette and atmosphere. So extracting individual pieces of music can feel somewhat sacriligeous, and the challenge lies in finding the pieces that can work as standalone tracks, but that also sit comfortably alongside pieces from different projects. With the help of Richard Hayes – my second pair of ears and sleevenote scribe – we established a selection of fourteen tracks which both take the listener on a journey through my discography, but that also work together to form an album in its own right.

I set myself the constraint of only choosing one track per album, though not necessarily from every album. I wanted to single out the moments I’m most proud, tracks which represent a specific project or simply pieces that I feel deserve to be more widely heard – this led to some unexpected choices, but also some other favourites being left out. 

As well as giving all the tracks a “polish,” in many instances I have created a new remix or edit, especially where some longer pieces were concerned. I felt that most of the tracks ought to have something new or different to the originals in order to make them unique to this collection, whether it was a shorter edit or an extended coda to help with the flow. This process also resulted in the creation of a brand new bonus track, Worlds Apart.

A natural order began to emerge, and the science fiction influence, which has always been a predominant feature in my music, really began to work its magic, forming a new narritive resulting in a cinematic collection of atmospheric instrumentals.

This compilation not only celebrates the music I have released on Bandcamp since 2012, but also works as a perfect introduction for anybody hearing my work for the first time. The full album download comes with two bonus tracks and a digital booklet.

Synthesis: The Light Dreams Anthology is available exclusively from Bandcamp as a ‘name your price’ release.

https://thelightdreams.bandcamp.com

Chiaroscuro: track by track

It is now over a month since the release of Chiaroscuro, and in that time, Here and Now and Berlin Stratum have had radio airplay, and Comfort Zone is included on the recent free compilation album, A Journey to a Time or Place.

However back to the album itself, here is a brief insight into my thoughts and inspirations behind each track.

Berlin Stratum 
Everywhere you look in Berlin, there are layers of history, and you can feel that in the atmosphere of the city. But there’s also a modernism and sense of progression. I wanted to capture these contrasting moods in the music. There’s also the city’s musical heritage – my particular interest being Bowie’s time there in the late 70s. This all came together in a nostalgic and melancholic, yet dynamic track. 

https://thelightdreams.bandcamp.com/track/berlin-stratum

Comfort Zone
After a reflective opening track, I wanted something more upbeat and optimistic. I entered a musical comfort zone… played my favourite chords, and fired up my favourite classic 80s/90s synth – the Korg M1. 

https://thelightdreams.bandcamp.com/track/comfort-zone

Silver Screen
More nostalgia from a time gone by… inspired by images of 1940s and 50s cinemas and the golden age of the big screen – monochromatic romanticism. The saxophone really brings the track to life and was a big departure from my usual style. This development would shape the rest of the album.

https://thelightdreams.bandcamp.com/track/silver-screen

Afterimage 
The first of three more abstract pieces. The title came first. I love the haunting description of “an image that continues to appear in the eyes after a period of exposure to the original image.”

https://thelightdreams.bandcamp.com/track/afterimage

Aberration 
“A departure from what is normal, usual, or expected…” This track was originally a much longer piece, based on multiple layers of gradually building loops. 

https://thelightdreams.bandcamp.com/track/aberration

There and Then
A more experimental piece; slow and evolving with more of a chill out feel, though reflective in mood. This track leads into the second part of the album. 

https://thelightdreams.bandcamp.com/track/there-and-then

Neon Twilight 
A change in pace. Evening descents and the city comes alive; its streets illuminated in a frenzy of colour. An upbeat track drenched in cool 1980s vibes. 

https://thelightdreams.bandcamp.com/track/neon-twilight

Evanescent
We move deeper into the night with a darker, heavier piece of electronica. Evanescent evolves mid-point, going from an atmospheric, pensive piece to a dynamic, driving conclusion. 

https://thelightdreams.bandcamp.com/track/evanescent

Here and Now
The rockiest track on the album was partly inspired by one of my favourite albums, Bryan Ferry’s, Mamouna (1994). I really wanted to channel a similar mood and sound of the instrumentation as a kind of homage to Ferry’s masterwork. You’ll hear more Korg M1 and late night atmosphere. 

https://thelightdreams.bandcamp.com/track/here-and-now

Nightowls
A track that transports you straight into one of Edward Hopper’s various night paintings, the album closes with a saxophone-led solitary piece. This was actually one of the first pieces I composed for the project, and I knew right away that it would be the final track. 

https://thelightdreams.bandcamp.com/track/nightowls

The Light Dreams – Chiaroscuro

I’m pleased to announce the release of Chiaroscuro; a new instrumental album inspired by city life and the layers of time. Nighttime atmospheres blend with nostalgic, melancholic tones forming a dreamlike musical world in which to escape.

“The world of chiaroscuro is one of contrast – between light and darkness, of transition between one realm and another. Colours blend, textures merge, and it is the difference itself which gives meaning to the whole.

Change is the essence of life, and contrast is the basis of understanding what it all means.  This album takes us through an appreciation of how we can make sense of the differences that flow through our existence, against a background of the cities in which we live.  They have their darker and brighter sides, and we need to grasp the relationship between them within ourselves.

Light and shade are part of the same process – one has no meaning without the other.  We need both in order to make sense of the artwork that is our life.”

The track list for Chiaroscuro is as follows:

Berlin Stratum
Silver Screen
Afterimage
Aberration
There and Then
Neon Twilight
Evanescent
Here and Now
Nightowls

The full album download comes with a bonus PDF booklet containing a specially-written introduction by Richard Hayes plus a selection of my own photography juxtaposed with archive images that all represent the theme of Chiaroscuro.

Chiaroscuro is available now in digital formats from Bandcamp and MusicGlue.

Here is a video for Silver Screen:

Berlin Stratum

I am pleased to present a brand new track and video – Berlin Stratum.

This instrumental piece was inspired by my stay in Berlin last year and evokes the atmosphere, history, architecture and music of the city. It is a track tinged with melancholy and nostalgia, but also one of progression.

Berlin Stratum is the first track on my upcoming album, Chiaroscuro.
More details soon…

(Yes, that is a photo of David Bowie, framed in the window of the iconic Hansa studios, where he recorded the Heroes album.)