Ahead of the release of The Ministry of Machine Building on Bandcamp this Friday, here is a new video for en edited version of one of the album tracks, The Hall of Machines.
The last few months have been focused on music, including some collaborations. More on those later, but first off, here is a short taster of some of the new tracks I’ve been working on.
More previews and the album title will be revealed soon, but it will be a science fiction-themed concept album.
In December, I was asked to compose a signature tune for this year’s Eastercon (ConFusion), which due to the pandemic was held online in April. Here is my full theme (edits were used for the various online presentation elements). I wanted to create something with a strong science fiction atmosphere, but which also conveys the busy frenzy of the convention environment.
We are living through a strange time, and none of us know for how much longer this uncertainty will continue. Music has been a constant companion for many during this period. Whether discovering new music, listening to or creating music, our personal soundtracks provide an escape, which in the current climate is more valuable than ever.
It is eight years since I first tested the water with the idea of selling my music online. Bandcamp offered the most flexible and economic solution for an independent, unsigned artist. Since 2012, I have released 22 albums through Bandcamp, including five albums in association with the Initiative for Interstellar Studies, a compilation of early demos and the release of my first two fully-fledged albums, dating back to 2007 and 2009 respectively.
Having released Chiaroscuro – my most accomplished album to date – earlier this year (right at the start of the lockdown period, by coincidence), it felt like the right time to take a look back over my discography.
Synthesis: The Light Dreams Anthology is a new compilation comprising some of my best work and most popular tracks alongside overlooked pieces and those which epitomise my sound and style.
Compiling a selection of your own work is never easy, especially when it comes to instrumental music – I design every album to flow; each has a specific sound palette and atmosphere. So extracting individual pieces of music can feel somewhat sacriligeous, and the challenge lies in finding the pieces that can work as standalone tracks, but that also sit comfortably alongside pieces from different projects. With the help of Richard Hayes – my second pair of ears and sleevenote scribe – we established a selection of fourteen tracks which both take the listener on a journey through my discography, but that also work together to form an album in its own right.
I set myself the constraint of only choosing one track per album, though not necessarily from every album. I wanted to single out the moments I’m most proud, tracks which represent a specific project or simply pieces that I feel deserve to be more widely heard – this led to some unexpected choices, but also some other favourites being left out.
As well as giving all the tracks a “polish,” in many instances I have created a new remix or edit, especially where some longer pieces were concerned. I felt that most of the tracks ought to have something new or different to the originals in order to make them unique to this collection, whether it was a shorter edit or an extended coda to help with the flow. This process also resulted in the creation of a brand new bonus track, Worlds Apart.
A natural order began to emerge, and the science fiction influence, which has always been a predominant feature in my music, really began to work its magic, forming a new narritive resulting in a cinematic collection of atmospheric instrumentals.
This compilation not only celebrates the music I have released on Bandcamp since 2012, but also works as a perfect introduction for anybody hearing my work for the first time. The full album download comes with two bonus tracks and a digital booklet.
Synthesis: The Light Dreams Anthology is available exclusively from Bandcamp as a ‘name your price’ release.