I am pleased to present a brand new track and video – Berlin Stratum.
This instrumental piece was inspired by my stay in Berlin last year and evokes the atmosphere, history, architecture and music of the city. It is a track tinged with melancholy and nostalgia, but also one of progression.
Berlin Stratum is the first track on my upcoming album, Chiaroscuro. More details soon…
(Yes, that is a photo of David Bowie, framed in the window of the iconic Hansa studios, where he recorded the Heroes album.)
The science fiction gallery page has been updated with the addition of two brand new pieces of artwork, Simulacrum and Into Battle.
These two pieces plus many others will be part of my display in the art show at next month’s Novacon – the UK’s longest-running science fiction convention. This year’s Guest of Honour is writer Mike Carey, perhaps best known for The Girl With All the Gifts. If you’re going, do drop by the art room and say hello!
Finally, here are two promotional videos for Mutate:
One of the biggest revelations for me over the last decade, was discovering that I can create the kind of music I have always wanted to make, from the comfort of a home studio. “Studio” feels like a bit of a grand term, given that everything is contained within my Apple Mac (then again, I do work in my home studio where I also do illustration/artwork). But to be in an age where we can have access to such wonderful production tools and the ability to self-publish work online, is simply fantastic.
There are obvious pros and cons to this kind of setup – whatever you are publishing. Making music is a very personal process. I make the kind of music I like, with the hope that likeminded folk out there might enjoy it too. But there does come a point when you’ve heard your own work too much, and the obvious things no longer stand out. That’s usually when I’ll ask a couple of people for feedback. For me, the mixing and tweaking process is usually a more time consuming process than composing the initial tracks.
However, the final challenge is knowing when to step back; to declare it complete. This thing you’ve slaved and toiled over for months – is it ready? Really? I find that point often comes instinctively, and it is then that you have to stop fiddling with it. Too much fiddling, and you risk overworking it (I’ve been there many times!). Even so, there is always a moment of doubt and there will usually be things you want to amend or revisit later – and sometimes I do. But it is always a slightly unsettling moment, prior to hitting that “publish” button.
And that is what is going to happen this week.
Since January, I have been working on Mutate – an 8 track album of dark electronic instrumentals.
Mutate will be available from Friday 20th September via my pages on Bandcamp and Musicglue.
More details will follow… meanwhile, here in full is the opening track, Underground.
I have spent a large part of the last six months working on my new instrumental album, Mutate. Now it is time to present some brief previews of the first four tracks.
For those of us whose lives are soundtracked by music, we remember moments of discovery and musical revelation and all other manner of minute details, which are somehow important to us – especially those songs or albums that made a certain impact at the time never fail to evoke certain feelings.
It was with this in mind, that I approached Mutate. I returned to my musical ‘roots’ in a sense, listening again to many albums that had a profound affect on me, and the kind of albums that originally made me want to make music.
However, my own music needed to go somewhere different, so I set myself a specific creative parameter for the new project, which was to – wherever possible – only use sounds that I haven’t previously used. This meant getting rid of old favourites and ‘comfort zone’ instruments that I might normally use for my early demos ideas. This would make me think or work in a new way to achieve the very specific sound, style and atmosphere in mind. I usually have a number of potential titles to work backwards from, but this time, the final upheaval of my normal working process starting work without titles, and seeing where the music went.
Album preview #2 will follow soon, along with cover art and release info… stay tuned here or follow me on Twitter or Facebook.
Edinburgh-based science fiction magazine Shoreline of Infinity‘s recently launched podcast, Soundwave (to which I lent my music!).
Last summer I recorded an extensive interview with the Soundwave host RJ Bayley, discussing all aspects of my work and interest in science fiction and beyond. A genuinely great fun hour of conversation! We conducted the interview via Skype, which accounts for my echoey room… but echoes aside, we discussed so many things, including synaesthesia, artistic influences and creative processes.
But it’s not all about me – you’ll also hear narrative from other Shoreline contributors. Episode two is available to stream and download now.
I’m really happy to have been involved in Soundwave, an exciting new science fiction podcast from Edinburgh-based publication, Shoreline of Infinity.
The Shoreline of Infinity magazine has gone from strength to strength, recently winning the British Fantasy Society Award for best magazine/periodical, and the next step in this creative and collaborative journey – which champions new and existing writers, artists and more – is the launch of this podcast.
I have been interviewed for a future edition of Soundwave, but my initial involvement was the production of the intro and background music.
Episode Zero of Shoreline of Infinity’sSoundwave can be heard here.
It is getting to that time of year where we start to notice subtle signs of the change of seasons ahead, and a reminder of how quickly time passes. The passage of time, and indeed the concept of time travel is a regular theme in my music.
I’m pleased to offer 25% off each of the following albums using the discount codes shown: