My new album Aspects is released today as a digital download on Bandcamp and across popular streaming platforms.
Aspects was composed and recorded between December 2020 and February 2022. I wanted to return to my roots a little, with longer, flowing instrumental pieces with shades of dark and light. Aspects has a reflective and contemplative mood, but an overall tone of optimism. Music has the power to keep certain memories alive and fondly remembered times and places in check. Either as a listener or creator, music allows us to travel to many different junctures, and during troubles and worrying times like the present, that escape is vital. Why not take some time out for a journey…
My new album Aspects will be released on Bandcamp and streaming platforms on 25th February 2022.
Here’s a short teaser…
As the title suggests, the music explores various perspectives and viewpoints of life. We’ve all had cause to reflect or contemplate during the pandemic and as ever, when I’m not working on art, I channel my thoughts into music. As a self-taught musician, every album project is a learning curve, and along the way, new discoveries are made and processes learnt, as I become absorbed in the creation of an album. Aspects was composed over the course of the past 18 months and the result is a suite of tracks I’m really proud of.
I’m pleased to announce a new electronic album, The Ministry of Machine Building.
Starting points for musical projects often come in the most unexpected places.
Back in 2019, I watched HBO’s excellent – if harrowing – miniseries, Chernobyl. Arguably one of the most gripping and unsettling depictions of any real-life event I’ve seen, as well as being interesting, technically and politically. I still remember the Chernobyl disaster happening – in April 1986, I was eight years old, and recall how it dominated the news. My young mind couldn’t quite comprehend the reality of what was going on in that other part of the world (I’d witnessed enough tragedy already that year with the Challenger explosion in January), but I knew it wasn’t good. I was hearing certain words for the first time, such as “Reactor” and “Radiation”… and when you learn words that way, they stick forever.
I was so compelled by the dramatisation, I immediately bought Serhii Plokhy’s detailed book on the subject, Chernobyl: History of a Tragedy for some long overdue education on the matter. An absolutely fascinating read, but it was in Plokhy’s book that I first saw reference to The Ministry of General Machine Building – an impressive title if ever there was one! The ministry was a Soviet government organisation based in Moscow and was responsible for overseeing all aspects of USSR space exploration. Another ministry, the Ministry of Medium Machine Building, was country’s secretive bureaucracy which supervised the Soviet nuclear industry, hence the link to Chernobyl.
Sometimes the words or phrases on the page of a book will stand out, and I’ll repurpose them into a song title, but on reading about the two ministries, I knew there and then this had to be an album title! Of course, making an album about a nuclear disaster would be neither cheerful or tasteful, but a slight shortening of the title gave way to a whole new creative scope and allowed me to reposition the Ministry into a science fiction context. Thinking back to the scenes in Fritz Lang’s Metropolis, I was soon imagining a dystopian factory-city in a state of perpetual nightshade; shift workers clocking on and off as they collectively work toward the creation of huge machines and sentient creations they did not understand. This needed to be like the soundtrack for a science fiction film yet to be made, and carry a story through the tracks.
So this was the spark that led to the composition of The Ministry of Machine Building over the past couple of years. The title track was one of the first pieces I worked on, but it laid dormant for many months before being resurrected, once I found a suitable direction for the album. While generally dark and moody, I wanted there to be a balance of heavy, layered industrial electronica, evoking assembly lines and thundrous mechanical processes, alongside some lighter contrasting pieces, almost like a brief moment of repose from the immense factory world.
When called upon to write some sleeve notes for the album, Richard Hayes has delivered a fantastic piece of writing – not sleeve notes in the traditional sense, but almost a short story; or an excerpt from a diary, leaving the reader curious for more…
I was not free. I knew that well. Building the machines that dominate our world was the focus of my life, and there could be no escape from that role. The machines of the modern age would bring coercion to our society, which was no less a constraint for those who constructed them.
The Ministry of Machine Building will be released on Bandcamp on 2nd July 2021. Previews to follow!
I have spent a large part of the last six months working on my new instrumental album, Mutate. Now it is time to present some brief previews of the first four tracks.
For those of us whose lives are soundtracked by music, we remember moments of discovery and musical revelation and all other manner of minute details, which are somehow important to us – especially those songs or albums that made a certain impact at the time never fail to evoke certain feelings.
It was with this in mind, that I approached Mutate. I returned to my musical ‘roots’ in a sense, listening again to many albums that had a profound affect on me, and the kind of albums that originally made me want to make music.
However, my own music needed to go somewhere different, so I set myself a specific creative parameter for the new project, which was to – wherever possible – only use sounds that I haven’t previously used. This meant getting rid of old favourites and ‘comfort zone’ instruments that I might normally use for my early demos ideas. This would make me think or work in a new way to achieve the very specific sound, style and atmosphere in mind. I usually have a number of potential titles to work backwards from, but this time, the final upheaval of my normal working process starting work without titles, and seeing where the music went.
Album preview #2 will follow soon, along with cover art and release info… stay tuned here or follow me on Twitter or Facebook.