Today sees the release of Blackpool Remembered – John Collier’s long-time ambition to create an extensive book about the original Doctor Who exhibition in Blackpool.
I have illustrated the front cover and several exclusive interior pieces, as well as producing the year-by-year floor plans and providing several written pieces – it has been an absolute pleasure to be a part of this epic project. Blackpool Remembered is a digital publication, with over 400 pages and 80 contributors, and it’s all available for free!
The August Bank Holiday weekend was a time when the Collier family would traditionally be making their way up to Blackpool – which for young John, meant it would soon be time to descend those famous stairs once again, to see the year’s new exhibits at the Doctor Who exhibition, hidden beneath the surface of Blackpool’s Golden Mile.
It is now time to re-live those moments, as John’s long-time ambition to compile an expansive book about the Blackpool Doctor Who exhibition has finally come to fruition.
Enter the TARDISand defy the Daleks once again, as Blackpool Remembered is now available! It is most certainly bigger on the inside – you will find over 400 pages of memories, photographs, interviews, floor plans, nostalgia, memorabilia, artwork and much more. For those fans who visited, this is the opportunity to go back in time, and for the generations of fans who missed it, your visit starts here!
Download Blackpool Remembered from the project website.
Here is my latest cover art for Alice Sabo’s forthcoming book, Willow’s Run. This cover is quite different to what we’ve done before, which made a refreshing challenge. Our first idea didn’t work out, but then Alice changed direction and the title of the book! We agreed that the new cover should feature a map with a few subtle items from the story overlaid.
For more information about Alice’s books and to keep up with the latest news, you can follow her on Facebook.
I am absolutely delighted to be part of an exciting project dedicated to the original Doctor Who exhibition in Blackpool, which ran from 1974 to 1985 – which was the year I visited, as an awestruck seven-year-old.
Collated and edited by John Collier, Blackpool Remembered will be a free digital publication, documenting the evolution of the exhibition through fan memories and photographs, alongside detailed recollections from some of the people who made it happen.
Contributors include Julie Jones, Bob Richardson, Mike Tucker and Neil Cole to name just a few, plus a wonderful foreword from Steve Cambden.
I have illustrated and designed the front cover (below) plus completed several interior illustrations. In addition, I have rewritten and expanded my own recollections of the exhibition, which originally appeared in my 2011 publication, Who, Where & When.
If you’re a fan of classic Doctor Who and if you ever went to the first and most iconic incarnation of the exhibition, then stay tuned, as this will be for you! For further updates, head over to Twitter and follow @BlackpoolRemembered7485
Blackpool Remembered will be available to download as a PDF in August.
I also have another exciting Doctor Who-related project in the works, which I look forward to sharing in the near future. Needless to say I will soon be adding a Doctor Who section to the gallery pages here!
I’m pleased to announce a new, free digital publication, The Art of a Changed World – a detailed retrospective of the cover art I have produced with writer Alice Sabo, since 2014.
The Art of a Changed World brings together all my concept art, final cover illustrations and designs for Alice’s thirteen books to date – spanning science fiction, fantasy and thriller genres. It contains the stories behind each cover, as well as insights into the creative process alongside contributions from Alice, plus a wonderful foreword by Richard Hayes.
This project celebrates creative collaboration in the world of independent publishing – whether you are an aspiring or established writer, artist, publisher, fan or reader, I hope you enjoy The Art of a Changed World.
Click the button below or the image above to download in PDF format.
Novacon is the UK’s longest-established science fiction convention. It started in 1971 as the Birmingham Science Fiction Group’s annual meetup, then expanded and moved around over the years, eventually finding its spiritual home in Nottingham. Novacon is a little different to your bigger conventions; there are no costumes or that sort of thing, and has a stronger emphasis on the literary side of SF&F, but all aspects of fandom are covered – film, television and comics, etc. As you might expect, there’s a rolling programme of panel discussions, science talks, art talks and a whole range of other things alongside book launches, author readings and of course, the busy dealer’s room, fantastic art show and art auction. Every year offers something different and a Guest of Honour whose presence, interests and work form a central point to many of the discussions.
This year’s Guest of Honour was Mike Carey – perhaps now best known as author of The Girl With All the Gifts. Needless to say, the film and book were regular talking points, as were Carey’s Felix Castor series and his work in the graphic novel industry. In fact, the discussions around comics and graphic novels was refreshing and really interesting for me, as a one-time wannabe comic artist! Mike also gave us several engaging readings from his forthcoming novel, The Book of Koli.
I have been going to Novacon since 2012 and have met a wide range of amazing people – many have become good friends and others I’ve gone on to collaborate with on cover art. During Sunday’s closing ceremony, Mike Carey described Novacon as “warm hearted”, and I couldn’t have put it better. The bulk of the membership is made up by many familiar, returning faces. It is an easygoing and welcoming convention and refreshing to be able to casually chat with renowned authors or artists without any sense of celebrity or ego. This year, Christopher Priest attended with his daughter Elizabeth – now also a published writer. It was great to have the time to catch up with him, as I have admired his writing for many years.
The convention drink of choice is Black Sheep ale, which tends to start flowing early on and continues throughout the weekend. It may result in people falling asleep during talks and snoring loudly (the point at which a polite reminder they’ve also paid for a bed wouldn’t be a bad thing). But loud nasal interference aside, it is always nice to have the flexibility that the con offers; some folk attend all the talks, some are more selective, while others simply seem to go purely for the social side of things and set up camp in the bar, catching up with old friends and making new ones.
While the crowd ought to (and deserves to) be a little larger, what I do like about this convention is its size, as you can find the time and space for proper conversation; and if you want to find somebody again, you can – unlike at bigger events such as Eastercon where everything is so packed and frantic, and simply trying to track somebody down or have a conversation in more than passing is quite difficult.
I mainly attend Novacon to be a part of the art show. It is always an honour to be able to exhibit my work alongside renowned space and science fiction artist, David A. Hardy (who has been at every Novacon since 1973!). The art show brings in a vast range of styles and genres, from new artists to well-known names. The art room – or in this year’s case, rooms – are brimming with science fiction, space and fantasy art and illustration in all media, plus various other arts and crafts, such as jewellery, needlework and even knitwear! Serena and John always work tirelessly to make sure their artists are looked after, and we can never thank them enough! Most of the art on show comes with a bid sheet for any potential buyers, and the pieces with bids are entered into the art auction on the Sunday.
The dealers’ room mainly comprises booksellers and independent publishers, such as PS Publishing, NewCon Press and Elsewhen Press – all of whom are putting out some of the most exciting and original titles in science and speculative fiction, fantasy and horror.
It’s not all about science fiction though – Novacon doesn’t forget the science bit! Although this year, there was no British Interplanetary Society presence, David A. Hardy gave us a whirlwind visual tour of the planets, via his excellent presentation To the Stars – On A Paintbrush!, and as always, there were two science talks. I missed the first, but astrophysicist, Dr Rachael Livermore gave an excellent insight on the Sunday morning into Dark Matter – a fascinating and fun way to start the day (even though I tend to find science talks first thing in the morning a little too much for my convention brain!).
I took part in the panel which followed – a great discussion on working with artists, alongside Mike Carey, Manga expert Zoe Burgess and Peter Buck of Elsewhen Press – all chaired by Patrick McMurray. I have obviously attended enough Novacons now to have progressed from audience member to panel participant!
Novacon for me is also about those great connections. Two such examples are Elsewhen Press, whom I met during my first Novacon, and have since illustrated several of their book covers; and a couple of conventions later, I met Helen Claire Gould, who after seeing my art display, invited me to produce the cover art for her début novel, Floodtide – it was great to see Helen back at Novacon this year, promoting the book as well as her more recent titles.
The Sunday afternoon sadly comes around so quickly, and it doesn’t feel like a few minutes have past since installing the art show on the Friday, when the time comes to reluctantly disassemble it. However, with not one, but four Guests of Honour booked for next year – Novacon’s big five-o – it will certainly be an event to look forward to.
After all, what more could you want, but to share a hotel with several hundred likeminded people?
The science fiction gallery page has been updated with the addition of two brand new pieces of artwork, Simulacrum and Into Battle.
These two pieces plus many others will be part of my display in the art show at next month’s Novacon – the UK’s longest-running science fiction convention. This year’s Guest of Honour is writer Mike Carey, perhaps best known for The Girl With All the Gifts. If you’re going, do drop by the art room and say hello!
Finally, here are two promotional videos for Mutate:
Today I received copies of the hardback and paperback versions of L.Z. Dàin’s novel, The Call of the Aïdin Planet – book one of The Legacy Saga – to which I had the pleasure of illustrating and designing the cover.
I’m delighted with just how good they look in print, and as always, it is a genuine pleasure to see an author’s dream become a reality. To find out more, visit: https://www.theaidinhorizon.net
I’m delighted to reveal my cover art for The Call of the Aïdin Planet, by L.Z.Dàin – book one of The Legacy Saga from Seattle-based publisher, Tales of the Horizon.
“Nine-hundred thousand years ago, seven Galactic Humans discover a mysterious Time singularity on planet Earth. But, obscure powers beyond the many worlds of the Galactic Union will not stop until they control it. Thus, the seven must make a choice, a choice that will not only affect their evolutionary future but the destiny of Earth itself.”
As much as I love the opportunity to come up with initial ideas for a cover, I really like it when the author or publisher have a clear vision of what they’d like on the cover. It is their book after all! Sometimes this process can be flexible, depending on what ideas I may have or that I feel could add impact, and on other occasions, simply my own interpretation of the initial brief does the job. It is important to me that the finished work is typical of my style and approach to a distinctive cover but more importantly, what I come up with has to match their vision – and good collaboration and communication is key to that. The cover for this book is a fine example of a project perfectly coming together, despite us being on opposite sides of the globe!
Even when there’s a clear brief, I’ll always work up a quick black & white sketch, to make sure the composition and my interpretation are correct.
Finally, I took the various elements of the illustration and created an animated reveal for the cover art:
The Call of the Aïdin Planet is available in paperback and ebook via Amazon. Further details about Tales of the Horizon can be found on their website.
Over the weekend Duncan Jones, director of Moon and Mute (etc) announced an exciting illustration project/experiment via Twitter, which has been met with great response. Jones asked his followers to suggest comic artists for a commission project in which a long list would be narrowed down to three artists who would then illustrate a scene of their choosing from Moon or Mute.
I’m thrilled to be included in the initial list, but now I need your help and votes… so do take a look at the full description of the website, and get voting!