My latest cover illustration is for Terry Grimwood’s forthcoming SF novel Interference, which is will be published by Elsewhen Press. For this cover, Terry wanted to depict an alien world with a red, burning sun. The scene is within a city, which is made up of tall, curved featureless buildings.
Gardens of Earth by Mark Iles is the first book of The Sundering Chronicles, coming soon from Elsewhen Press.
Elsewhen contacted me to illustrate the cover, as they knew it would be a good match for my style, having worked together on several previous occasions. Gardens of Earth literally spans several genres – the story tackles alien war, a future that may be considered either dystopian or utopian, a protagonist dealing with personal demons, the remnants of Earth’s inhabitants now living in a sparse society under the watchful eye of the strange plant-like Spooks, and returning human colonists intent on reclaiming the Earth.
While you might primarily consider Gardens of Earth to be a science fiction novel, elements of myth and magic fantasy are also present. So how do you represent all this in a single cover image?
You don’t even try! A cluttered book cover with too many elements fighting for attention never looks good. We knew this of course, so the challenge for this cover was to come up with an image that would set an overall tone for the book and draw the reader in via a single snapshot.
An email conversation between myself, Mark and Elsewhen resulted in a couple of concepts being discussed. The first was the view of a greener Earth with some of the Spooks closing in. We also looked at the idea of our protagonist and female humanoid companion staring out over a vista of forestry and simple human settlements, again with the Spooks looming on the horizon.
I worked up rough sketches for both, and we agreed the version showing the two figures was the right approach – however Mark wanted to see a city backdrop rather than forestry. Cityscapes have long been a recurring theme in my artwork, so it was a concept I was immediately comfortable with.
Mark had also gone over some specific, minor details – such as the insigia we see on the female’s left shoulder or the pilot’s commando knife at thigh level. Their coveralls were also to be dark green, which for me, set the colour palette for the overall scene. I wanted some atmospheric, hazy light that could be either sunset or sunrise, and chose a palette of turquoise through to yellow – the green tones in between also linked back to the greener world featured in parts of the story.
The team at Elsewhen had already chosen a typeface for the series, so we worked together to agree on the most effective layout. I suggested having the title in a dark blue to contrast the illustration but also match the darkest colours present – this little touch glued it all together. My original illustration extended beyond the cover format, so we were able to extend it around the spine and on to the back of the book.
The Best of British Science Fiction 2020 anthology from NewCon Press, edited by Donna Scott, is due for release on 27th July and can be pre-ordered from the NewCon Press website, in paperback and limited edition signed hardback formats.
I am delighted to see my digital painting Daybreak featured as the cover to this collection, which genuinely contains an illustrious selection of science fiction writers.
Daybreak is one of my personal favourite pieces, so it is particularly rewarding to have it used on this anthology.
I often create artwork with the possibility of cover licensing in mind, but this didn’t happen to be one of them – it’s a landscape piece for a start. But when Ian Whates at NewCon Press sent over the proofs of the cover, I was pleasantly surprised at how well Daybreak lent itself to cover art – particularly on the hardback format, where the solid dark blue perfectly wraps itself around the dust jacket. I couldn’t wish for it to have a better home.