Aspects – release round-up

Aspects has been out in the world for just over two weeks now, and it has been streamed, downloaded and playlisted. As an independent musician working outside of the usual spheres, it is always so gratifying and rewarding to know that somebody in another part of the world has taken a moment to listen to my work.

Aspects was composed during 2020–2021; strange years for all of us. 2021 began with the tightening of pandemic restrictions, slowly followed by the (short-lived) hope that we would be returning to some kind of normality. A somewhat premature optimism, given the unprecedented circumstances. I had been working on new music at various points, for different projects – my vocal collaborations with Ren Faye, other potential collaborations and several tracks just for the simple love of making music.

I’ve often felt the best material often creates itself. Those moments when an idea for a piece of music seems to fall from the sky and comes seamlessly together, are the most satisfying – not because it doesn’t mean hours of toil, but because it is a fine example of creativity in action. It’s almost like some kind of magic. My normal process for recording an album is to begin with a title and concept, and work backwards from there. The process for Aspects was the complete opposite. Towards the end of last summer, I reviewed the music I had made over the course of the past year and discovered they all fitted perfectly together. I realised I had a solid album in the making.

As I worked on the tracks, I found various consistencies between them; common themes, moods and atmospheres. I had the music in mind when I took the cover photograph, on the west coast of Scotland in September 2021. I knew as I framed the shot, it was going to be the cover art.

Aspects is an album I am very proud of, both musically and from a production perspective, which is always the most taxing part of the process. It is an album for reflection and meditation; to allow one to travel in the mind and temporary escape the worries and uncertainties of the world around us. I had already set a release date when the dreadful, devastating situation in Ukraine unfolded. Although it felt insensitive to be releasing and promoting this project when a country is being destroyed – homes, families and livelihoods wrecked – but releasing the work or not wasn’t going to change what is going on. If anything, I might hope that anybody listening to the album enjoys a moment of escape and distraction.

Aspects is available to download via Bandcamp, and also comes with a digital booklet. You will also find it on Spotify, Apple Music, Amazon, Deezer and Tidal for streaming.

Below are videos for Aspects and Breaking Surface

ASPECTS – OUT TODAY!

My new album Aspects is released today as a digital download on Bandcamp and across popular streaming platforms.

Aspects was composed and recorded between December 2020 and February 2022. I wanted to return to my roots a little, with longer, flowing instrumental pieces with shades of dark and light. Aspects has a reflective and contemplative mood, but an overall tone of optimism. Music has the power to keep certain memories alive and fondly remembered times and places in check. Either as a listener or creator, music allows us to travel to many different junctures, and during troubles and worrying times like the present, that escape is vital. Why not take some time out for a journey…

https://linktr.ee/thelightdreams

The Light Dreams – Aspects

I will soon be releasing a new instrumental album entitled Aspects – which I composed over the course of the past couple of years. The first track I’m previewing from the album is called Breaking Surface.

Aspects will be released digitally via Bandcamp and available on popular streaming platforms very soon – stay tuned for updates.

The Light Dreams – radio play roundup

I’d like to say a big thank you to Colin Spencer who has premiered three of my tracks on his show Electrocurated over on Artefaktor Radio over the last three weekends.

Electrocurated show #151 included the title track from The Ministry of Machine Building played in it’s eight-minute entirety; show #152 featured Undisturbed (also from Ministry) as the penultimate track and this weekend, show #153 saw the exclusive first airing of Glacier Heart, my first track with vocalist Ren Faye (we’re currently working on more material for an EP release; watch this space…).

From classics to underground acts and emerging artists, Colin’s show brings together a vibrant mix of electronic music including synth pop, synth wave, instrumentals and dance/trance. I couldn’t ask for my music to be in better company.

The Ministry of Machine Building can be found on major streaming platforms and is available for download on Bandcamp.

The Ministry of Machine Building – out now

This suite of conceptual instrumentals plays out like; the dark soundtrack to a science fiction film yet to be made… enter The Ministry…


Out now on Bandcamp, and on streaming services soon!

https://thelightdreams.bandcamp.com/album/the-ministry-of-machine-building

The Light Dreams music on Spotify

A selection of my albums have been available on streaming services for a while, however on Spotify, my releases were getting confused with an artist of the same name! I have now been able to correct this and finally got my own artist profile on Spotify. I have made a special playlist, an introduction to The Light Dreams, which you can stream here:

Mutate: Out Friday 20th Sept!

One of the biggest revelations for me over the last decade, was discovering that I can create the kind of music I have always wanted to make, from the comfort of a home studio. “Studio” feels like a bit of a grand term, given that everything is contained within my Apple Mac (then again, I do work in my home studio where I also do illustration/artwork). But to be in an age where we can have access to such wonderful production tools and the ability to self-publish work online, is simply fantastic.

There are obvious pros and cons to this kind of setup – whatever you are publishing. Making music is a very personal process. I make the kind of music I like, with the hope that likeminded folk out there might enjoy it too. But there does come a point when you’ve heard your own work too much, and the obvious things no longer stand out. That’s usually when I’ll ask a couple of people for feedback. For me, the mixing and tweaking process is usually a more time consuming process than composing the initial tracks.

However, the final challenge is knowing when to step back; to declare it complete. This thing you’ve slaved and toiled over for months – is it ready? Really? I find that point often comes instinctively, and it is then that you have to stop fiddling with it. Too much fiddling, and you risk overworking it (I’ve been there many times!). Even so, there is always a moment of doubt and there will usually be things you want to amend or revisit later – and sometimes I do. But it is always a slightly unsettling moment, prior to hitting that “publish” button.

And that is what is going to happen this week.

Since January, I have been working on Mutate – an 8 track album of dark electronic instrumentals.

Mutate will be available from Friday 20th September via my pages on Bandcamp and Musicglue

More details will follow… meanwhile, here in full is the opening track, Underground.